Can’t Wait for Rogue Two!

I saw Rogue One on Friday and now that I’ve let it digest a bit I’m ready to share my thoughts. This is going to be a spoilerific post, so if you haven’t seen the movie, please, please, please bookmark this for later and watch the movie first.

We finally have a good Star Wars prequel. Huzzah! Let that sink in. No, not my use of “huzzah,” but the fact that this is the first good Star Wars prequel. And, yes, that is a fact. We can debate just how good the movie is or isn’t, but it’s clearly leagues beyond the three of which we do not speak.

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Now for some opinion: By my tastes, this was a competently executed Star Wars movie that did a lot right. Some people on my social media feeds are saying this movie is better than The Empire Strikes Back, to which I say, “You need to re-watch Empire, my friend. That is one of the few examples of a perfect movie.”

If I had to rank the current films, I’d go with:

  1. The Empire Strikes Back
  2. A New Hope
  3. Return of the Jedi
  4. Rogue One
  5. The Force Awakens
  6. Et al.

But–just as ecstatic as I was after Ep VII–I’m incredibly overjoyed by the little to no Prequel references (see below for a notable exception) in Rogue One and even more excited to finish my Reboot the Prequel scripts before the next movie.

What Made the Grade

Tarkin’s return. Others have debated the morality of resurrecting a dead actor, so let me just say it was a bold choice. And as far as digital humans, none have looked better.

People other than Jedi are attuned to the Force. Though I’m sure a society that can print out new hands can probably cure blindness, I’m willing to let that go because it could have been a choice on this character’s part. He did seem to have a quite useful “second sight” anyhow.

-Added to the mythology. Great sequels (and prequels) improve upon the originals. This did so by showing us the “alliance” aspect of the Rebel Alliance. Even better was taking what was essentially a bemoaned plot hole in the Death Star’s weakness and gave it meaning. Star Wars is very much about family legacy, and this movie hit those beats well.

What Didn’t

-The Force is too well-known. We could write-off Luke’s ignorance of The Force due to his upbringing on a backwater planet, but Han Solo has traveled the galaxy and still he finds the idea of The Force laughable. Yet, in this movie, all the characters seem to know the nature of The Force like something they’ve all grown up with. Pretty sure I heard “May The Force Be With You” nearly a dozen times over the course of two hours. The Jedi are supposed to be an ancient religion, and should be portrayed more as a secret society.

-Too many (pointless) Cameos. Every time a character from the Original Trilogy appeared on screen (which was often!) it felt like the movie stopped so the director could wink at me. The “tough guys” who are at the Mos Eisley cantina in Ep IV bumping into our heroes on Jedha was waaaaay over the top. So, let me get this right. They’re walking around, looking for fights, but manage to escape this city’s destruction just in time to hightail it across the galaxy and go looking for more fights in the exact same bar our next heroes happen to visit? Seems legit.

-Referenced the Prequels rather than Ep VII. Adding Jimmy Smits (Bail Organa from the prequels) wasn’t the worst choice ever, though it did reference the wrong movies. If the goal was to strengthen the brand, why not something to tie in the other Disney SW series? Here’s an idea: Instead of Darth Vader taking a bath in Sauron’s castle, he could be doing something useful. Maybe where “The Knights of Ren” are vaguely mentioned, thus strengthening Kylo Ren’s “I will finish what you started” line.

-Low stakes (we knew the outcome). I needed something else to root for. I knew that they would succeed in their mission to steal the Death Star plans, so there weren’t any stakes in that mission. If there was something else, new and also important that the characters were striving for, I might have inched closer to the edge of my seat.

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Circling back, let me emphasize that I really enjoyed the movie. It put the “war” back in Star Wars. Darth Vader against Rebel troopers was amazing. Some great actors added gravity to the story-world. And it left the grounds for a prequel reboot more fertile than ever.



Thanks for reading! What do YOU think? Love the movie? Hate it? Meh?

Leave me a comment below, and don’t forget to share and subscribe!

My Oscar Picks for 2014

If you follow this blog, you know I’m running an online Oscar pool. As per the rules, here are my picks (you have until showtime to submit your own choices).

This is based solely on my opinion. I’ve seen all the Best Picture nominees (except Captain Phillips and Philomena) and I’ve consulted no outside source. These are just what I think deserves the award, not what it most likely to win (thus, you might find it easy to beat me if you enter).

Okay, here goes:

Best Picture (3 pts): 12 Years a Slave
Directing (2 pts): Gravity (Alfonso Cuarón)
Original Screenplay (2 pts): Her (Spike Jonze)
Adapted Screenplay (2 pts): The Wolf of Wall Street (Terence Winter)
Leading Actor (2 pts): Matthew McConaughey (Dallas Buyers Club)
Leading Actress (2 pts): Cate Blanchett (Blue Jasmine)
Supporting Actor (2 pts): Michael Fassbender (12 Years a Slave)
Supporting Actress (2 pts): Jennifer Lawrence (American Hustle)
Production Design (1 pt): Her
Documentary Feature (1 pt): The Act of Killing
Documentary Short(1 pt): The Lady in Number 6: Music Saved My Life
Animated Short(1 pt): Feral
Live Action Short Film (1 pt): Aquel No Era Yo (That Wasnt Me)
Foreign Language Film (1 pt): Omar (Palestine)
Animated Feature (1 pt): Frozen
Film Editing (1 pt): Gravity
Sound Editing (1 pt): Gravity
Sound Mixing (1 pt): Gravity
Cinematography (1 pt): Gravity
Visual Effects (1 pt): Gravity
Costume Design (1 pt): The Great Gatsby
Makeup and Hairstyling (1 pt): Dallas Buyers Club
Original Score (1 pt): Her (William Butler
Original Song (1 pt): Let It Go (Frozen)

Good luck to all those who entered! Now, a little more fun– Kids tell you everything you need to know about the Best Picture nominees:

As a final bonus, for those who are into drinking games, here’s a good one for this year: http://www.uproxx.com/filmdrunk/2014/02/official-filmdrunk-oscars-2014-drinking-game/

Be safe; have fun! Winners will (most likely) be announced tomorrow.

INFECTED Promo Results (Day Two)

Continued from Lessons Learned from the INFECTED giveaway.

January 9th
PhotoFunia-16f3d2b_smallGood morning, again! Today Book Blast is set to go out and, with (fingers’ crossed) the continued buzz from yesterday’s promotion, this should make for an exciting day. I don’t know about you, but I could hardly sleep a wink. Whattdya say we see how much action happened overnight?

NOTE: CLICK ALL IMAGES TO ENLARGE

2686 Downloads as of 0600, January 9th.
2686 Downloads as of 0600, January 9th.
Woo-hoo! Made it into the coveted Top 100.
Woo-hoo! Made it into the coveted Top 100.

Two interesting points of order based on these stats. First, is that I’m still listed in Literature & Fiction > Action & Adventure (an old category) as well as Science Fiction > Post-Apocalyptic (new category). Could this be because my update is still “processing”? I’m not sure. I’ll have to watch carefully as this develops. Second, even though my rank has surpassed the Top 100 free books in the kindle store, I only gave away 450 copies over the course of the entire night. Which leads to…

LESSON LEARNED: Be patient/don’t panic. Within the first two hours of the day, my rank got worse and shot up to #99. If this is a race to #1, that means I’m not doing well… or does it? Amazon’s best seller ranking is elastically flexible and doesn’t necessarily correspond to current downloads. Maybe someone else’s rank simply processed before mine? I could just need some time to catch up. Tough to say. Amazon keeps their ranking algorithm a closely-guarded secret, but it pays to go with the flow. Just keep doing what you know you should be doing, and let the ranking system do its thing.

Here’s a mid-day update, after Book Blast has gone out:

4113 Downloads as of 1400, January 9th.
4113 Downloads as of 1400, January 9th.
Back to "increasing!" Slow and steady wins the race today.
Back to “increasing!” Slow and steady wins the race today.

Interesting to note that the categories are still switching. Could this be a good thing? It’s putting me on several different categories throughout the day (the maximum allowed is two), so I can’t see how it would hurt… Hmm. But the main point is that it’s getting better. From all I’ve heard and read, Book Bub is the behemoth service that’ll push any promotion over the edge. So if I can just keep climbing the charts, no matter how slowly, I should be in for a treat tomorrow.

The snowball is your book promotion. The more people you get to help push it along, the bigger it’ll get until it eventually starts feeding itself.

The afternoon was spent doing more promoting and marketing, of course, which leads to another…

LESSON LEARNED: Set up everything beforehand. I started contacting book sites a month out, but I found a great list of resources I was planning to contact during the promotion. Big mistake. Just going through with everything I’d had planned, to include continued social media marketing, took up all my time. You should have everything ready to go before you promotion starts, so the most work you have to do during the event involves the copy/paste function.

It’s getting late. Let’s do one last look at the stats before bed:

5358 Downloads as of 2200, January 9th.
5358 Downloads as of 2200, January 9th.
Still increasing and -- BONUS -- now it's topping 3 categories!
Still increasing and — BONUS — now it’s topping 3 categories!

It’s getting significantly more difficult for INFECTED to climb the ranks, but at least it still is. And with tomorrow set to be my “anchor day” I’m hopeful. You might also notice 3 more sales of MURDERED in 24 hours. Not exactly the boost I was hoping for, but it’s still early (and I’m thankful for each sale I get). Time to try and sleep and prepare for the exciting conclusion tomorrow…

Continue to INFECTED Promo Results (Day Three) 

My Oscar Picks for 2013

If you’ve read my last few posts, you know I’m running an online Oscar pool. As per the rules, here are my picks (you have until 5:30 pst, when the show begins, to submit your own choices).

This is based solely on my opinion. I’ve seen all the Best Picture nominees (except Zero Dark Thirty) and I’ve consulted no outside source. These are just what I think deserves the award, not what it most likely to win (thus, you might find it easy to beat me if you enter).

Still, deciding wasn’t easy. Some years are filled with shoe-ins, but this time around I was split on almost every category… Okay, here goes.

Best Picture (3 pts): LINCOLN
Directing (2 pts): SILVER LININGS PLAYBOOK
Original Screenplay (2 pts): MOONRISE KINGDOM
Adapted Screenplay (2 pts): LIFE OF PI
Leading Actor (2 pts): Daniel Day-Lewis
Leading Actress (2 pts): Jessica Chastain
Supporting Actor (2 pts): Philip Seymour Hoffman
Supporting Actress (2 pts): Anne Hathaway
Production Design (1 pt): LINCOLN
Documentary Feature (1 pt): SEARCHING FOR SUGAR MAN
Documentary Short(1 pt): “Mondays at Racine”
Animated Short(1 pt): “Maggie Simpson in “The Longest Daycare””
Live Action Short Film (1 pt): “Curfew”
Foreign Language Film (1 pt): AMOUR
Animated Feature (1 pt): WRECK IT RALPH
Film Editing (1 pt): LIFE OF PI
Sound Editing (1 pt): DJANGO UNCHAINED
Sound Mixing (1 pt): SKYFALL
Cinematography (1 pt): LINCOLN
Visual Effects (1 pt): PROMETHEUS
Costume Design (1 pt): ANNA KARENINA
Makeup and Hairstyling (1 pt): HITCHCOCK
Original Score (1 pt): SKYFALL
Original Song (1 pt): “Suddenly” from “Les Misérables”

Good luck to all those who entered! Now, a little more fun– Daniel Tosh tells you everything you need to know about the Best Picture nominees:


As a final bonus, for those who are into drinking games, here’s a good one for this year: http://filmdrunk.uproxx.com/2013/02/filmdrunk-oscars-drinking-game-2013

Be safe; have fun! Winners will (most likely) be announced tomorrow.

Hollywood Imperialism: Make the World Britain!

This is the first actual “weekend” I’ve had in a long time. I write every day, or at least edit/proofread. For those of you who may have missed it on Twitter, I finished editing my novel and sent it off for review yesterday.  So this weekend is completely off!  Except for this blog…enjoy.

The subject of the blog entry, is something I’ve noticed for a long time:

To Americans, all foreigners are British.

This is specifically true, if the movie is highlighting an ancient civilization.  Go watch any movie or TV show made in the last 15 years, and if the foreigners are speaking English, I guarantee it’s the King’s.

Now onto the “why”:

-Sometimes the actors actually are British.  Sometimes.  People cite the HBO show “Rome” as an example of this.  You point out that all the Romans have British accents, and they’ll inform you it’s simply because that’s how they speak.  Not exactly.  Many of the actors on that show were Irish, and needed voice coaches to become posh-sounding Imperialists.  Which leads us to the next point….

The English were Imperialist.  That’s why it makes sense to us as a modern audience.  The hoity-toighty English accent makes more sense to our American minds for the portrayal of members of a grand empire, than a cheese-ball Italian accent would (even if it’s more accurate).  You wouldn’t want Mario and Luigi giving epic speeches, would you?  Even Star Wars recognizes this effect, as almost all their Imperial officers have a British accent.

-It makes distinguishing class easier.  Perhaps the most subconscious-based reason.  As many people don’t know much about ancient political structure, giving the nobility an “educated” accent (mmmmmyes, quite right) and giving the footsoldiers a “common” accent (‘ello govna!) allows us to easily distinguish social hierarchy without having it explained to us.

These all make a certain amount of sense, to me at least.  But sometimes it goes a bit far.  I recently watched the movie “Hugo”, which takes place in 1930s France.  All the books, menus, signs, etc were in French.  They even went so far as to shoot it in Paris.  Yet the actors all had British accents!  Perhaps English-speaking actors with French accents are hard to find, while Britains are abundant.  Or perhaps…

-That’s just the way we do it.  Because of actor availability on foreign locations, classical films used English actors.  So the tradition continues.  That, and we don’t want to start confusing the audience this late in the game.

Can you imagine a Roman General with a Tennessee accent? But it’s just as realistic as British tones.

On Pigeonholing

I’m re-blogging this from Jessen D Chapman’s original Blog Post.  It’s being published on this site with permission of the blog’s author.  If you want to do the same, contact him.  He’s pretty cool about it.

While there are those who disagree with me, I think this article applies to film as well.  I love Jurassic Park, The Shawshank Redemption, The Good The Bad and the Ugly, and Stardust.  So why should I have to pick only one of their genres to write in?

Without further ado…

Pigeonholed?

Posted: 28 November 2011 by jdchap in General bloggery
Tags: , , , , , , , ,

I’ve heard the advice as a writer: Pigeonhole yourself.  It makes you easier to market, because you’re easier to categorize.

To which, I immediately reply: Go screw yourself.  Why should I want to be easily categorized?  As a writer, I get paid to be interesting.

And yet this way of thinking is pervasive.  When people pick up a James Patterson book, they have a certain expectation, the marketing gurus say.  You don’t want someone to read your book on the vacationing habits of wood elves, enjoy it, then seek out your second novel only to be completely shocked when it’s about a reformed pedophile, right?

Wrong.  I want people to read a book of mine, enjoy it, then seek out my next book because they enjoyed the writing.  I don’t give two shits whether or not they are fans of the genre.  If I ever write a book about vampires (and please kill me if I do), I do not feel obligated to continue writing about vampires until the end of time.  Although, now that I think about it, that could be a great twist on the tortured immortal trope.

You should know if you’ll like the writing based on if you like the writer.  You should know if you’ll like the subject matter based on the back cover, and by reviews from friends and critics.  That’s why those things exist.

Nevertheless, the feeling seems to be, by agents for sure, I need to be able to brand you.  Horror writer.  Thriller writer.  Romance writer.

So why is it, I can say my favorite books are 1984, Freakonomics, The Velveteen Rabbit and The Things They Carried, but I can’t have a book in the vein of each of these within my authorial cannon?

I figure you, as an emerging writer trying to establish yourself, can do one of two things and survive shunning from the pigeonholers:  One, come out swinging as a genre writer, and then use a pseudonym if you ever decide to break the mold later on.  Or two, write two very different books, both classified as “literature”, and gain a reputation as someone who breaks the mold.

Which do I choose?  I dunno, maybe both.  But the one thing I will NOT be doing, is writing with marketing in mind.

The Social Network

No, not the movie (although I am a fan, put me on team Sorkin).  I’m talking about the act of social networking and why I’ve joined in.

Social networking is becoming more and more important for a writer.  Whereas, at least my impression was, you used to get published, go to cocktail parties, attend a couple of book signings, and accept any awards that come your way–this is now a fantasy.  Now you’ve got to market the hell out of yourself.  The most accessible way to reach lots of people is with digital new media.  And it’s all the easier for you, if you have that stuff set-up before you’re a tid-bit famous.

I have a screenplay optioned, which will hopefully find a studio home right around the new year.  My producer has tantalized me with a possible “Christmas present”–fingers crossed!  I also have a novel I’m doing one final polish on, before I begin steps toward publishing.

So basically: this website, this twitter account, all the networking, is happening now because I feel (hope?) I’m on the cusp of my writing career really taking off.  I don’t want to create a website the same day its URL gets printed on a book cover, right?  Gotta have some meat on it first.

Rather than have this post be merely a public diary entry, I’ll share some of what I’ve learned as I’m setting all this up.  It’s been a tough journey, as my friends and family don’t really tweet or blog.  And self-promotion doesn’t come naturally to me.  At all.  There was (and still is) a learning curve.

TWITTER
People follow non-public figures, whom they don’t know, for pretty much one reason: they also want followers.  So when someone follows you, and you just sit back and think, “cool, I have a follower!”, guess what?  They’ll most likely unfollow you in a couple of days.  What can you do to keep your new followers happy?  1) Follow them back 2) Send them a message, thanking them for following!

BLOG
If you want people to read your blog, one of the biggest resources is other bloggers.  First step here, read their blog.  Then post an intelligent comment, pertaining to what you just read.  DO NOT post your website in your comments, this just comes off as spam.  If you’ve written something sufficiently intriguing, people will check your profile, which should have a link to your own blog.

For anything and everything, you should have something interesting to say.  I got a decent amount of hits with my Screenwriting vs Prose post, because it was something I can speak to that not many people know about.  It was, in short, worth reading.

The world is changing for writers, and to use a screenwriting term, “Stasis=Death”.  You have to go with the changes, or get left behind.  It’s been proven that people who embrace change live longer, and I think the same can be said about our careers.

I leave you with a positive note: writers are now in commercials.  Perhaps taking our careers in our own hands is a good thing?  A power-shift?  Publishing houses own books the way movie studios owned stars in the 1930s.  If this changes, it could be the writers who come out on top.